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In his preface to Abstract Art: A Global History—arriving this month from Thames & Hudson—Joseph Low (“Pepe”) Karmel, a professor of art history at New York University, writes that the The mandalorian baby yoda merry christmas shirt but I will buy this shirt and I will love this goal of the book is “to demonstrate different ways of looking at abstraction and to encourage readers to respond to a wider range of abstract art.” A simple idea in theory, it proves a massive undertaking in practice, demanding a complete rethinking of long-established narratives. With Abstract Art, Karmel approaches the field not as a steady tunneling toward nothingness, as figures and other discernible objects fell away, but as something more dynamic—and much less white, Western, and male. There is no such thing as pure form, he insists; abstract art has always been “rooted in experience of the real world,” wherever and whenever it was made. He identifies five major categories of subject matter—bodies, landscapes, cosmologies, architectures, and signs and patterns, tracing each theme over 100 years, from 1915 to 2015—and works to consider the perspectives of women and artists of color not generally included in the discourse. (A work by the Swedish mystic Hilma af Klint claims the cover; while the Indian-born artist Zarina provides the frontispiece and Wosene Worke Kosrof, an Ethopian painter, the back cover.)

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Here, Karmel discusses the The mandalorian baby yoda merry christmas shirt but I will buy this shirt and I will love this book, some of his greatest mentors, and the particular challenges (and pleasures) of teaching art right now.